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I consider myself a flamework/lampwork
artist and jewelry designer, making beads
individually, by hand, with a gas torch and a
kiln to anneal or harden the beads. Each bead is
created from molten glass. My creative
inspirations is mainly the
natural environment. The flora and fauna provide
many ideas. I also enjoy the mixture of colors
in pleasing palettes, for example, blues, mauves,
and lavender. Some creations utilize bright
colors. And many time the whimsical takes
over my bead designs!
My entire life has been full of
creative influences and artistic work. My mother was a painter so
perhaps I inherited her "artistic eye" and my grandfather was also a
talented artist. In the past I have painted, knit, crocheted, sewed,
created quilts,
etc. but when I was introduced to lampworking in
early 2000, the creation of
glass beads with molten glass, I truly discovered my passion
and joy!
I was hooked and have been since that time. And to
use my own glass beads to create items of jewelry that are worn by others
with pride, provides the utmost artistic satisfaction. To create beads
that other people use in their own creations also is very rewarding for me
as an artist.
My customers are individuals who
love the colors and designs that I create. The name of my business
"Beaver Island Jewelry" is very intriguing to
folks. Because of my love of Beaver Island, in northern Michigan
("Up North" as we like to say here in Michigan), I have adopted the name
for my business. Beaver Island is a very unique place and helps me
focus on those wonderful colors such as blues from Lake Michigan (I'm sure
you'll notice all my blue beads!), lavenders and pinks from the sunset
over Donegal Bay, greens and blues from the marshes and light brown,
golds or
ivory from the sand beaches. See my special
Beaver Island Memories charm
bracelet, necklace and memory beads.
My experience includes several
different jewelry-making classes and many hours of classes in glass lampwork
from nationally-known artists. Credit goes to all the
following folks who I have had classes from but also
to people I have met here in Michigan and on web
bulletin boards who share their many diverse talents. My mentor and first tutor
in about 2000 was Mari Johnson who sells
her beautiful lampwork beads at her store, Blue Fire Beads, in New Lenox,
Illinois. I also had a two day class with Ginny Sycuro who is another
nationally-known bead artist, residing in Colorado. In May 2003 I took a day long class
in California with Patti
Walton who is well known for
her aquarium beads and lovely flower garden beads. In February 2004 I took
a two-day class in sculptural glass from Sharon Peters--I learned all
about the wonderful and
wacky! A three-day class in October 2004 with Stevi Belle taught me
how to make "ancient" vessels and how to utilize
frits and finishes in my
work. I learned wirework techniques by Janice Birkabile (Wired Art) and wired pendants and daped
bracelets with Kriss Silva--each in day long classes in February
2007. In September 2007 I took a two day class on Low
Tech Metalworking Techniques from Anne Mitchell and
Kate McKinnon. This class covered fine
silversmithing and precious metal clays (PMC) and
working in a less harmful (to the artist and the
environment) way. In February 2008 I took
a two day class with Andrea Guarino-Slemmons. In
April 2008 I took a six day long class from a
master artisan-glassmaker, Lucio Bubacco, on the island of Murano, Italy, the
heart of glass beadmaking. This was glassmaking
off the mandrel.
I am a member of the International Society of Glass Beadmakers
(ISGB), Northern Lights
(Michigan), The
Guild of Artists and Artisans
(a sponsor of the Ann Arbor Art Fair),
The Great Lakes Beadworkers Guild,
Beaver Island Chamber of Commerce
and the Indiana Society of Glass Lampworkers and
Artists (ISLAGA).
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